Kirk was described as “a large, comfortable, and commodious building housing the elite of Charlottetown at worship” and giving one the impression “of size, magnificence and grandeur." Until recently a few of our senior members still remembered the first Kirk which, removed to a site to the north of the present manse, served as a Sunday School for seventeen years after completion of the present Kirk in 1878. Fol- lowing the erection of our present Kirk Hall in 1895 (at a cost of $3,612) the old Church was dismantled. THE SECOND CHURCH ERECTED, 1877- 1878 Following the growth of the Congregation during the twenty-year pastorate of Dr. Thomas Duncan (1856-1876) the Congregation de- cided to replace the first Church with a larger and more suitable sanctuary. Dr. Duncan was succeeded by the Reverend Kenneth MacLennan, a minister of unusual gifts as an artist and architect. It is mainly due to his influence and inspiration that the present noble edifice was designed and erected. Ever since it has been recognized by experts as one of the most beautiful sanctuaries in eastern Canada. The corner-stone was laid by the Minister June 7th, 1877, and the building was opened and dedicated to the Glory of God on October 20th, 1878. Messrs. MacDonald, MacDonald and Fraser of New Glasgow, Nova Scotia, were the builders for a contract price of $20,000. Present (1982) replacement costs would exceed one million dollars. The Kirk is built of Wallace (Nova Scotia) freestone, with door- way facings. buttresses and windows of red Prince Edward Island stone. The building is 77' long, 55’ wide, 59' high, with walls 18" thick. The towerspire, with walls 20” thick, reaches to a height of 130’ and constitutes one of its most striking features. The Kirk is designed in early Gothic Revival style by Mr. David Sterling of the firm of Sterling and Dewar of Halifax. At this time a Charlottetown architect, W.C. Harris, was associated with Mr. Sterling for the construction and supervision of the building. One wonders if Mr. Harris did not have more to do with the design, as one of his favorite architectural features, a four centered arch, appears on the north wall. The early Gothic Revival is not so evident on the interior now since it has been changed over the years. This architectural style is usually solid and heavy but at other times light and rich. Its elements consist of ornamentation, carved'capitals on the north columns and walls, use of the single pointed arch and narrow openings. These are usually without tracery, but tracery in the form of trefoils and quatre— foils is evident in this case, and a perpendicular feeling of height. The use of clerestory windows is also utilized to enhance this perpendicular perception. _3_